The selection of five pieces of repertoire for this learning unit are unique, significant, perceptible representations of varied cultures and ethnicities. While each selection is simply a single musical snapshot of a particular culture, we will be empowered to discover the ways in which a particular culture's music is similar and different from music with which we are already familiar. This strategic approach will inspire the reinforcement of cultures already studied while discovering the aspects that make particular music distinctive. As a result, an authentic performance of the repertoire will be a primary objective of this learning. Authenticity will mature through careful, critical listening activities and will inevitably inspire musically acceptable renditions of the repertoire.
The contextualization of a culture's music is also a philosophical cornerstone of this learning unit. The learning of each piece of music will be supplemented with applicable photographs, video clips, maps, a description of current events, political and economic affairs, as well as literature and folklore that all empower complete understanding of the meaning, function, and value of that culture's music. In addition to strengthening and broadening our own cultural knowledge and insight, every piece of music studied will initiate and inspire questions, observations, and personal perspectives.
As our society grows more in its global awareness, music classrooms of all levels need to value the diverse backgrounds, abilities, and perspectives of our world and enact a curriculum rich in musical diversity. Music programs, both large and small, need to increasingly reflect a global community and thus draw attention to the cultural significance of music in a variety of contexts. People are far more alike than different, and the arts, as demonstrated through this learning unit, can be the most substantial mode through which to learning this critical lesson.
Grades 9-12 ~ National Standards for Music Education
Through this learning unit, students will be singing ,expressing themselves creatively, while a knowledge of notation and performance traditions enables them to learn new music independently. Skills in analysis, evaluation, and synthesis are valued in this unit because they enable students to recognize and pursue excellence in their musical experiences and to understand and enrich their environment. Because music is an integral part of human history, the ability to listen with understanding is essential if students are to gain a broad cultural and historical perspective.
The selection of five pieces of repertoire for this learning unit are unique, significant, perceptible representations of varied cultures and ethnicities. While each selection is simply a single musical snapshot of a particular culture, we will be empowered to discover the ways in which a particular culture's music is similar and different from music with which we are already familiar. This strategic approach will inspire the reinforcement of cultures already studied while discovering the aspects that make particular music distinctive. As a result, an authentic performance of the repertoire will be a primary objective of this learning. Authenticity will mature through careful, critical listening activities and will inevitably inspire musically acceptable renditions of the repertoire.
The contextualization of a culture's music is also a philosophical cornerstone of this learning unit. The learning of each piece of music will be supplemented with applicable photographs, video clips, maps, a description of current events, political and economic affairs, as well as literature and folklore that all empower complete understanding of the meaning, function, and value of that culture's music. In addition to strengthening and broadening our own cultural knowledge and insight, every piece of music studied will initiate and inspire questions, observations, and personal perspectives.
As our society grows more in its global awareness, music classrooms of all levels need to value the diverse backgrounds, abilities, and perspectives of our world and enact a curriculum rich in musical diversity. Music programs, both large and small, need to increasingly reflect a global community and thus draw attention to the cultural significance of music in a variety of contexts. People are far more alike than different, and the arts, as demonstrated through this learning unit, can be the most substantial mode through which to learning this critical lesson.


Students sing in small ensembles with one student on a part
Students sing in small ensembles with one student on a part
Students sight-read, accurately and expressively, music with a level of difficulty of 4, on a scale of 1 to 6
Students sight-read, accurately and expressively, music with a level of difficulty of 4, on a scale of 1 to 6
Students sing with expression and technical accuracy a large and varied repertoire of vocal literature with a level of difficulty of 5, on a scale of 1 to 6
Students sing with expression and technical accuracy a large and varied repertoire of vocal literature with a level of difficulty of 5, on a scale of 1 to 6
Students sing music written in more than four parts
Students sing music written in more than four parts
Students demonstrate extensive knowledge of the technical vocabulary of music
Students demonstrate extensive knowledge of the technical vocabulary of music
Students identify and explain compositional devices and techniques used to provide unity and variety and tension and release in a musical work and give examples of other works that make similar uses of these devices and techniques
Students identify and explain compositional devices and techniques used to provide unity and variety and tension and release in a musical work and give examples of other works that make similar uses of these devices and techniques
Students analyze and describe uses of the elements of music in a given work that make it unique, interesting, and expressive
Students analyze and describe uses of the elements of music in a given work that make it unique, interesting, and expressive
Students compare characteristics of two or more arts within a particular historical period or style and cite examples from various cultures
Students compare characteristics of two or more arts within a particular historical period or style and cite examples from various cultures
Students demonstrate the ability to read a full vocal score by describing how the elements of music are used
Students demonstrate the ability to read a full vocal score by describing how the elements of music are used
Students analyze aural examples of a varied repertoire of music, representing diverse genres and cultures, by describing the uses of elements of music and expressive devices
Students analyze aural examples of a varied repertoire of music, representing diverse genres and cultures, by describing the uses of elements of music and expressive devices
Students evolve specific criteria for making informed, critical evaluations of the quality and effectiveness of performances, compositions, arrangements, and improvisations and apply the criteria in their personal participation in music
Students evolve specific criteria for making informed, critical evaluations of the quality and effectiveness of performances, compositions, arrangements, and improvisations and apply the criteria in their personal participation in music
Students evaluate a performance, composition, arrangement, or improvisation by comparing it to similar or exemplary models
Students evaluate a performance, composition, arrangement, or improvisation by comparing it to similar or exemplary models
Students evaluate a given musical work in terms of its aesthetic qualities and explain the musical means it uses to evoke feelings and emotions
Students evaluate a given musical work in terms of its aesthetic qualities and explain the musical means it uses to evoke feelings and emotions
Students explain how elements, artistic processes (such as imagination or craftmanship), and organizational principles (such as unity and variety or repetition and contrast) are used in similar and distinctive ways in the various arts and cite examples
Students explain how elements, artistic processes (such as imagination or craftmanship), and organizational principles (such as unity and variety or repetition and contrast) are used in similar and distinctive ways in the various arts and cite examples
Students compare ways in which musical materials are used in a given example relative to ways in which they are used in other works of the same genre or style
Students compare ways in which musical materials are used in a given example relative to ways in which they are used in other works of the same genre or style
Students compare the uses of characteristic elements, artistic processes, and organizational principles among the arts in different historical periods and different cultures
Students compare the uses of characteristic elements, artistic processes, and organizational principles among the arts in different historical periods and different cultures
Students classify by genre or style and by historical period or culture unfamiliar but representative aural examples of music and explain the reasoning behind their classifications
Students identify and explain the stylistic features of a given musical work that serve to define its aesthetic tradition and its historical or cultural context
Students identify and explain the stylistic features of a given musical work that serve to define its aesthetic tradition and its historical or cultural context
Students identify and describe music genres or styles that show the influence of two or more cultural traditions, identify the cultural source of each influence, and trace the historical conditions that produced the synthesis of influences
Students identify and describe music genres or styles that show the influence of two or more cultural traditions, identify the cultural source of each influence, and trace the historical conditions that produced the synthesis of influences
Listen to excerpts of multi-cultural choral music.
Listen to excerpts of multi-cultural choral music
Define specific terms and conventions used to describe and distinguish cultures
Define specific terms and conventions used to describe and distinguish cultures
Anticipate and define complimentary musical concepts and formal conventions used to distinguish cultures’ music
Anticipate and define complimentary musical concepts and formal conventions used to distinguish cultures’ music
Read (without performing) notated excerpts of authentic multi-cultural choral music and anticipate the aural effects
Anticipate and define complimentary musical concepts and formal conventions used to distinguish cultures’ music
Listen to the excerpts and reflect upon the accuracy of their predicitions/theories
Anticipate and define complimentary musical concepts and formal conventions used to distinguish cultures’ music
Compare, contrast, and judge the connections between the cultural characteristics discussed in
item #3 and their associated musical effects
item #3 and their associated musical effects
Compare, contrast, and judge the connections between the cultural characteristics discussed in
Discuss the purpose and role of multi-cultural settings within the choral repertoire canon
Discuss the purpose and role of multi-cultural settings within the choral repertoire canon
Research examples of unique multi-cultural choral music (YouTube, TED, other online resources) not yet presented in class by the teacher
Research examples of unique multi-cultural choral music (YouTube, TED, other online resources) not yet presented in class by the teacher
Write a musical review of one researched examples (either notated or recording) of multi- cultural choral music
Write a musical review of one researched examples (either notated or recording) of multi- cultural choral music
Review sight-singing/music reading strategies
Review sight-singing/music reading strategies
Read/Sing through the five planned Concert Performance pieces representing the Multi-Cultural Choral Connections learning unit and present introduction and assessment schedule (on website)
Read/Sing through the five planned Concert Performance pieces representing the Multi-Cultural Choral Connections learning unit and present introduction and assessment schedule (on website)
As each setting is introduced and studied, hypothesize the reasons why the composers made the music decisions they did in their setting to authentically represent the culture
As each setting is introduced and studied, hypothesize the reasons why the composers made the music decisions they did in their setting to authentically represent the culture
Assess the causes and effects of specific musical elements in the repertoire
Assess the causes and effects of specific musical elements in the repertoire
In sectionals outside of class, refine notes, words, rhythms, and style of each of the performance repertoire in preparation for assessments.
In sectionals outside of class, refine notes, words, rhythms, and style of each of the performance repertoire in preparation for assessments.
Assess the effectiveness sectional rehearsal using the rehearsal assessment form
Assess the effectiveness sectional rehearsal using the rehearsal assessment form
Brainstorm ways in which the character of a culture is represented in other art forms - i.e. film, print media, visual art, etc.
Brainstorm ways in which the character of a culture is represented in other art forms - i.e. film, print media, visual art, etc.
To initiate curricular rehearsals of the performance repertoire discuss and review “new repertoire” approaches and strategies
To initiate curricular rehearsals of the performance repertoire discuss and review “new repertoire” approaches and strategies
Study and rehearse Multi-Cultural Choral Connections concert repertoire
Study and rehearse Multi-Cultural Choral Connections concert repertoire
Amidst curricular rehearsals identify and discuss ways in which known (and earlier discussed) multi-cultural compositions concepts are utilized specifically in the concert repertoire
Amidst curricular rehearsals identify and discuss ways in which known (and earlier discussed) multi-cultural compositions concepts are utilized specifically in the concert repertoire
Identify complex compositional concepts and techniques - i.e. harmonic sequence, enharmonic intervals, pedal tone, etc., found in the performance repertoire
Identify complex compositional concepts and techniques - i.e. harmonic sequence, enharmonic intervals, pedal tone, etc., found in the performance repertoire
Listen to recordings (and watch videos) of performance repertoire on the class’ website
Listen to recordings (and watch videos) of performance repertoire on the class’ website
Develop Rehearsal Observation and Ensemble Performance Forms to guide student observations and articulation of repertoire progress
Develop Rehearsal Observation and Ensemble Performance Forms to guide student observations and articulation of repertoire progress
Apply listening forms in rehearsal and scheduled class assessments
Apply listening forms in rehearsal and scheduled class assessments
Create a blog site and first entry reflection upon experiences with the Multi-Cultural Choral Connections repertoire
Create a blog site and first entry reflection upon experiences with the Multi-Cultural Choral Connections repertoire
Use large rehearsal strategies and routines in a 2nd round of sectional rehearsals to grow more accurate in performance of the repertoire
Use large rehearsal strategies and routines in a 2nd round of sectional rehearsals to grow more accurate in performance of the repertoire
Students lead 2nd round of sectional rehearsals
Students lead 2nd round of sectional rehearsals
Students identify, describe, perform and present their understanding of multi-cultural musical concepts in scheduled written and performance assessments on each piece of repertoire (performances are recorded)
Students identify, describe, perform and present their understanding of multi-cultural musical concepts in scheduled written and performance assessments on each piece of repertoire (performances are recorded)
Students review the recordings of performance assessments and use the Ensemble Performance Form
Students review the recordings of performance assessments and use the Ensemble Performance Form
Students assess the ensemble ’s effectiveness of their recorded performances as well as self-assess their individual contribution to the ensemble using the Solo Performance Rubric
’s effectiveness of their recorded performances as well as self-assess their individual contribution to the ensemble using the Solo Performance Rubric
Students assess the ensemble
Students research and create concert program notes of the Multi-Cultural Choral Connections performance repertoire
Students research and create concert program notes of the Multi-Cultural Choral Connections performance repertoire
Student perform prepared repertoire in public performance
Student perform prepared repertoire in public performance
Students listen to audio recordings of their concert performance
Students listen to audio recordings of their concert performance
Discuss the effectiveness (or lack thereof) of the Multi-Cultural Choral Connections repertoire in performance
Discuss the effectiveness (or lack thereof) of the Multi-Cultural Choral Connections repertoire in performance
Evaluate and discuss the quality of the public performance
Evaluate and discuss the quality of the public performance
Construct a plan for improving any performance deficiencies for the next learning unit
Construct a plan for improving any performance deficiencies for the next learning unit
Create a second blog entry reflecting upon experiences with the Multi-Cultural Choral Connections repertoire
Create a second blog entry reflecting upon experiences with the Multi-Cultural Choral Connections repertoire
Revisit and report the ways in which cultures are reflected and celebrated in other art forms
Revisit and report the ways in which cultures are reflected and celebrated in other art forms
Introduce and explore interesting facts of specific countries and cultures as exposed in other art forms
Introduce and explore interesting facts of specific countries and cultures as exposed in other art forms
Define and explain the ways in which the characteristics and influences of various cultures throughout the world transcends that of fine and performing art forms into other areas of society (economics, politics, athletics, etc.)
Define and explain the ways in which the characteristics and influences of various cultures throughout the world transcends that of fine and performing art forms into other areas of society (economics, politics, athletics, etc.)
Deduce the reasons why our society has evolved to be so “globally minded”
Deduce the reasons why our society has evolved to be so “globally minded”
Create a non-musical and non-literary representation of a culture whose music we have studied
Create a non-musical and non-literary representation of a culture whose music we have studied
Complete the learning unit evaluation form
Complete the learning unit evaluation form


Ensemble Performance Rubric
Ensemble Performance Rubric
Rehearsal Observation Form
Rehearsal Observation Form
The specific National Content standards for music are the primary learning pathways for this unit:
Content Standard/Pathway #1: Singing, alone and with others, a varied repertoire of music
Content Standard/Pathway #5: Reading and notating music
Content Standard/Pathway #6: Listening to, analyzing, and describing music
Content Standard/Pathway #7: Evaluating music and music performances
Content Standard/Pathway #8: Understanding relationships between music, the other arts, and disciplines outside the arts
Content Standard/Pathway #9: Understanding music in relation to history and culture
The specific National Content standards for music are the primary learning pathways for this unit:
Content Standard/Pathway #1: Singing, alone and with others, a varied repertoire of music
Content Standard/Pathway #5: Reading and notating music
Content Standard/Pathway #6: Listening to, analyzing, and describing music
Content Standard/Pathway #7: Evaluating music and music performances
Content Standard/Pathway #8: Understanding relationships between music, the other arts, and disciplines outside the arts
Content Standard/Pathway #9: Understanding music in relation to history and culture
In this learning unit, entitled “Multi-Cultural Choral Connections”, advanced choral students will be connecting to five different countries and cultures through studying unique, contemporary choral compositions. Though just five perspectives, with these songs we will discover and intimately experience musical traditions and styles from cultures throughout the world. We will experience and notice similarities as well as the differences and come to have empathy and appropriate respect for society's cultural blend.
In this learning unit, entitled “Multi-Cultural Choral Connections”, advanced choral students will be connecting to five different countries and cultures through studying unique, contemporary choral compositions. Though just five perspectives, with these songs we will discover and intimately experience musical traditions and styles from cultures throughout the world. We will experience and notice similarities as well as the differences and come to have empathy and appropriate respect for society's cultural blend.
© J. Ryan Rimington, 2010. All Rights Reserved.
Apart from fair dealing for the purposes of study, research, criticism or review as permitted by copyright law, no part of this Learning Element may be reproduced by any process without permission from the author. This learning resource may quote some copyright material. It has been created solely for educational purposes. Any reproduction of copyright material either involves permissions sought by the author, or is within the bounds of 'minimal use' or 'fair use'. Template and schema by Mary Kalantzis and Bill Cope, copyright © 2003-2010 http://www.L-by-D.com.
© J. Ryan Rimington, 2010. All Rights Reserved.
Apart from fair dealing for the purposes of study, research, criticism or review as permitted by copyright law, no part of this Learning Element may be reproduced by any process without permission from the author. This learning resource may quote some copyright material. It has been created solely for educational purposes. Any reproduction of copyright material either involves permissions sought by the author, or is within the bounds of 'minimal use' or 'fair use'. Template and schema by Mary Kalantzis and Bill Cope, copyright © 2003-2010 http://www.L-by-D.com.